It's Raining In My Shower!

(Source: serfbwort, via yoochaa)

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(Source: pushthemovement, via kalifornia-klasss)

every romantic teen movie

maurypovichofficial:

*girls plays acoustic guitar and sings*

guy: wow…you’re..you’re amazing you can really sing

girl: :) thanks. i haven’t sang since my mom died

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friendly reminder that famous viner curtis lepore is a rapist.

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mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.
Step 2: Duck!
Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.
Step 4: Knee him in the balls.
Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.
Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.
Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.
Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?
i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.

Step 2: Duck!

Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.

Step 4: Knee him in the balls.

Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.

Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.

Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.

Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

(Source: think4yaself, via studyingistheshit)

arctichunkies:

curves on women are great, but curves on final exams are really what get me going

(via work-hard-and-smart)

(Source: chubbinafatzarelli, via delallaled)

(Source: ruinedchildhood, via delallaled)

floweredsub:

Lana Del Rey and Francesco Carrozzini, New York (09/11/2014)

This is all me

(Source: yourgirlcarmen, via delallaled)

notordinaryfashion:

Vera Wang S/S 2015

notordinaryfashion:

Vera Wang S/S 2015

(via lausam3)


This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 

(Source: silends, via miss-malaise)

(Source: vinstage, via stephsonn)

mydarkenedeyes:

John Atkinson Grimshaw (1836-1893) was a Victorian-era painter, notable for his moonlit scenes and landscapes.

(via delallaled)

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